Given that such DSP programming surely must be a deep dive, I suppose that some amount of "individuality" might be possible in the coding of various instructions, but if that is so, I can't say that I personally hear a lot of variation in the end products - I know Spin Chip pitch shifting when I hear it, for example. In programming an FV-1 to produce audio effects, how far can one programmer or another really stretch the platform and make something unique (as far as the processor might allow)?Īs Spin Chip-based effects proliferate, it seems as though their sonic signature becomes more recognizable – I don't think it takes a golden ear to identify them, especially when they reach for relatively complex processes like time stretching and pitch shifting. Setting subjectivity aside (as much as possible) and if the circumstances of the Fabrikat's debut allow, can you compare/contrast it with the Tensor in any detail? In what ways is there overlap and in what ways might the Fabrikat exceed the Tensor?Īnother question, UC, if you have a minute – I'm going to appear obtuse regarding this subject, so considering your broad view of the Spin Chip world, I think your opinion might hit the right point between informed and unbiased.
But I guess that depends on opinions and subjectivity and stuff like that. Ugl圜asanova wrote:There's also a pedal coming out early next year that will (in my opinion, which is based on currently testing the prototype), blow this thing out of the water.
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